| Title |
Author |
Role | Participant | Dates |
| Duet for One | by Tom Kempinski | Clerk of Works | Colin Yardley | 21st to 28th May 2011 |
| Duet for One | by Tom Kempinski | Set Design | Colin Yardley | 21st to 28th May 2011 |
| The Merry Wives of Windsor | by William Shakespeare | Clerk of Works | Colin Yardley | 23rd to 30th April 2011 |
| The Merry Wives of Windsor | by William Shakespeare | Set Design | Colin Yardley | 23rd to 30th April 2011 |
| The Merry Wives of Windsor | by William Shakespeare | Stage Manager | Colin Yardley | 23rd to 30th April 2011 |
| Power | by Nick Dear | Front of House | Colin Yardley | 19th to 26th June 2010 |
| The Miser | by Molière translated by Miles Malleson | Front of House | Colin Yardley | 24th April to 1st May 2010 |
| Grimm Tales | by Carol Ann Duffy | Front of House | Colin Yardley | 1st to 3rd April 2010 |
| Grimm Tales | by Carol Ann Duffy | Set Construction | Colin Yardley | 1st to 3rd April 2010 |
| Come On, Jeeves | by P G Wodehouse and Guy Bolton | Set Build | Colin Yardley | 13th to 20th March 2010 |
| Come On, Jeeves | by P G Wodehouse and Guy Bolton | Front of House | Colin Yardley | 13th to 20th March 2010 |
| The Pillowman | by Martin McDonagh | Front of House | Colin Yardley | 13th to 20th February 2010 |
| Glorious! | by Peter Quilter | Front of House | Colin Yardley | 16th to 23rd January 2010 |
| Bell, Book and Candle | by John Van Druten | Front of House | Colin Yardley | 5th to 12th December 2009 |
| Journey's End | by R C Sherriff | Front of House | Colin Yardley | 7th to 14th November 2009 |
| Lady Windermere's Fan | by Oscar Wilde | Front of House | Colin Yardley | 10th to 17th October 2009 |
| Lady Windermere's Fan | by Oscar Wilde | Construction | Colin Yardley | 10th to 17th October 2009 |
| Breaking the Silence | by Stephen Poliakoff | Set Design | Colin Yardley | 18th to 25th April 2009 |
| Breaking the Silence | by Stephen Poliakoff | Stage Manager | Colin Yardley | 18th to 25th April 2009 |
| The Sunshine Boys | by Neil Simon | Construction | Colin Yardley | 6th to 13th December 2008 |
| Her Big Chance | by Alan Bennett | Crew | Colin Yardley | 8th to 15th November 2008 |
| A Cream Cracker under the Settee | by Alan Bennett | Clerk of Works | Colin Yardley | 8th to 15th November 2008 |
| A Visit from Miss Prothero | by Alan Bennett | Clerk of Works | Colin Yardley | 8th to 15th November 2008 |
| Her Big Chance | by Alan Bennett | Clerk of Works | Colin Yardley | 8th to 15th November 2008 |
| A Cream Cracker under the Settee | by Alan Bennett | Set design | Colin Yardley | 8th to 15th November 2008 |
| A Visit from Miss Prothero | by Alan Bennett | Set design | Colin Yardley | 8th to 15th November 2008 |
| Her Big Chance | by Alan Bennett | Set design | Colin Yardley | 8th to 15th November 2008 |
| A Cream Cracker under the Settee | by Alan Bennett | Crew | Colin Yardley | 8th to 15th November 2008 |
| A Visit from Miss Prothero | by Alan Bennett | Crew | Colin Yardley | 8th to 15th November 2008 |
| Rose | by Martin Sherman | Set Design | Colin Yardley | 17th to 24th May 2008 |
| The Real Inspector Hound | by Tom Stoppard | Set Design | Colin Yardley | 12th to 19th January 2008 |
| After Magritte | by Tom Stoppard | Set Design | Colin Yardley | 12th to 19th January 2008 |
| An Evening of Flanders & Swann | by Michael Flanders and Donald Swann | Set Design | Colin Yardley | 10th to 17th November 2007 |
| Noises Off | by Michael Frayn | Set Design | Colin Yardley | 13th to 20th October 2007 |
| The False Servant | by Pierre Marivaux | Set Construction | Colin Yardley | 23rd to 30th June 2007 |
| Medea | by Euripides translated by Alistair Elliot | Set Design | Colin Yardley | 10th to 17th February 2007 |
| A Tale of Two Cities | by Matthew Francis from the novel by Charles Dickens | Set Construction & Painting | Colin Yardley | 9th to 16th December 2006 |
| The Lady In The Van | by Alan Bennett | Van Manager | Colin Yardley | 14th to 21st October 2006 |
| The Lady In The Van | by Alan Bennett | Set Design | Colin Yardley | 14th to 21st October 2006 |
| The Lady In The Van | by Alan Bennett | Council Workers and Undertakers | Colin Yardley | 14th to 21st October 2006 |
| Vincent in Brixton | by Nicholas Wright | Set Design | Colin Yardley | 20th to 27th May 2006 |
| Betrayal | by Harold Pinter | Set Design | Colin Yardley | 11th to 18th March 2006 |
| Streuth! | by Michael Green | Scenery and things | Colin Yardley | 10th to 17th December 2005 |
| A Collier's Tuesday Tea | by Michael Green | Scenery and things | Colin Yardley | 10th to 17th December 2005 |
| Arsenic And Old Lace | by Joseph Kesselring | Set building | Colin Yardley | 15th to 22nd October 2005 |
| Copenhagen | by Michael Frayn | Set Design | Colin Yardley | 21st to 28th May 2005 |
| Copenhagen | by Michael Frayn | Directed by | Colin Yardley | 21st to 28th May 2005 |
| Blithe Spirit | by Noël Coward | Set Design | Colin Yardley | 23rd to 30th April 2005 |
| The Rivals | by Richard Brinsley Sheridan | Stage Management | Colin Yardley | 15th to 22nd January 2005 |
| Humble Boy | by Charlotte Jones | Set Design | Colin Yardley | 12th to 19th June 2004 |
| Separate Tables | by Terence Rattigan | Set Design | Colin Yardley | 20th to 27th March 2004 |
| I Can’t Remember Anything | by Arthur Miller | Set Design | Colin Yardley | 17th to 24th February 2004 |
| The Bespoke Overcoat | by Wolf Mankowitz | Set Design | Colin Yardley | 17th to 24th February 2004 |
| Hobson's Choice | by Harold Brighouse | Stage Management | Colin Yardley | 6th to 13th December 2003 |
| Hobson's Choice | by Harold Brighouse | Set Design | Colin Yardley | 6th to 13th December 2003 |
| Boston Marriage | by David Mamet | Set Design | Colin Yardley | 8th to 15th November 2003 |
| Boston Marriage | by David Mamet | Directed by | Colin Yardley | 8th to 15th November 2003 |
| As You Like It | by William Shakespeare | Set Design | Colin Yardley | 14th to 21st June 2003 |
| As You Like It | by William Shakespeare | Stage Management | Colin Yardley | 14th to 21st June 2003 |
| An Experiment With An Air Pump | by Shelagh Stephenson | Directed by | Colin Yardley | 22nd to 29th March 2003 |
| Audience | by Václav Harvel | Set Design | Colin Yardley | 27th February to 1st March 2003 |
| A Separate Peace | by Tom Stoppard | Set Design | Colin Yardley | 27th February to 1st March 2003 |
| A Lady Of Letters | by Alan Bennett | Stage Management | Colin Yardley | 9th to 16th November 2002 |
| A Lady Of Letters | by Alan Bennett | Set Design | Colin Yardley | 9th to 16th November 2002 |
| The Unexpected Man | by Yasmina Reza | Stage Management | Colin Yardley | 9th to 16th November 2002 |
| The Unexpected Man | by Yasmina Reza | Set Design | Colin Yardley | 9th to 16th November 2002 |
| Company | by Stephen Sondheim and George Furth | Set Design | Colin Yardley | 12th to 19th October 2002 |
| The Memory Of Water | by Shelagh Stephenson | Set Design | Colin Yardley | 27th April to 4th May 2002 |
| The Vortex | by Noël Coward | Sound Operation | Colin Yardley | 9th to 16th February 2002 |
| The Cherry Orchard | by Anton Chekhov | Set Design | Colin Yardley | 12th to 19th January 2002 |
| The Cherry Orchard | by Anton Chekhov | Stage Management | Colin Yardley | 12th to 19th January 2002 |
| The Last Of The Red Hot Lovers | by Neil Simon | Directed by | Colin Yardley | 15th to 22nd December 2001 |
| The Rise And Fall Of Little Voice | by Jim Cartwright | Clerk of Works | Colin Yardley | 16th to 13th October 2001 |
| The Rise And Fall Of Little Voice | by Jim Cartwright | Set Design | Colin Yardley | 16th to 13th October 2001 |
| Two | by Jim Cartwright | Set Design | Colin Yardley | 7th to 9th June 2001 |
| The Donahue Sisters | by Geraldine Aron | Directed by | Colin Yardley | 7th to 9th June 2001 |
| The Donahue Sisters | by Geraldine Aron | Set Design | Colin Yardley | 7th to 9th June 2001 |
| Three Tall Women | by Edward Albee | Set Design | Colin Yardley | 10th to 17th March 2001 |
| Three Tall Women | by Edward Albee | Clerk of Works | Colin Yardley | 10th to 17th March 2001 |
| The Cripple Of Inishmaan | by Martin McDonagh | Set Design | Colin Yardley | 10th to 17th February 2001 |
| Habeas Corpus | by Alan Bennett | Construction | Colin Yardley | 13th to 20th January 2001 |
| Arcadia | by Tom Stoppard | Set Design | Colin Yardley | 15th to 22nd January 2000 |
| Peter Pan | by John Caird and Trevor Nunn from J M Barrie | Flying & Crew | Colin Yardley | 9th to 23rd January 1999 |
| Shadowlands | by William Nicholson | Sound | Colin Yardley | 14th to 21st November 1998 |
| A Slice Of Saturday Night | by Heather Brothers | Construction | Colin Yardley | 17th to 24th October 1998 |
| Stevie | by Hugh Whitemore | Set Design | Colin Yardley | 16th to 23rd May 1998 |
| Stevie | by Hugh Whitemore | Sound | Colin Yardley | 16th to 23rd May 1998 |
| The Snow Queen | by Nick Stafford (from Hans Christian Anderson) | Properties | Colin Yardley | 13th to 20th December 1997 |
| Broadway Bound | by Neil Simon | Scenic Painting | Colin Yardley | 7th to 14th June 1997 |
| The Farndale Avenue "Macbeth" | by David McGillivray and Walter Zerlin Jnr | Clerk of Works | Colin Yardley | 18th to 25th January 1997 |
| Green Forms | by Alan Bennett | Construction | Colin Yardley | 18th & 22nd to 24th November 1995 |
| Pleasures | Devised by Maureen Gueran | Construction | Colin Yardley | 18th & 22nd to 24th November 1995 |